Monthly Archives: February 2020

On This Day in Pink History… 24th February 2009, The Funhouse Tour started in Nice, France

On This Day in Pink History… 24th February 2009, The Funhouse Tour started in Nice, France

Click here for more photos

The Funhouse Tour was the fourth concert tour by Pink. The tour supported her fifth studio album, Funhouse. The tour visited Europe, Australia and North America. According to Pollstar, the Funhouse Tour earned around $180 million with more than 3 million in attendance becoming one of the highest-grossing concert tours in the history of music . The Australian leg of the tour broke the record for the biggest tour in the history of the country. Over 660,000 people attended the Australian shows and grossed over $80 million.

The tour was announced in October 2008, nearly two weeks before the release of her fifth studio album. Pink stated, “I’m so excited to get back on the road. The ‘Funhouse’ tour ideas are running rampant in my head. Who knows what they’ll come out as… And I can’t wait to see.” The tour followed her internationally successful I’m Not Dead Tour, which became one of the biggest tours in 2006 and 2007.

The tour also marked the first time Pink has headlined a North American arena tour. To describe the event, Pink stated, “I’ve waited 30 years for this tour. I really wasn’t sure if anyone was going to show up.”

The concert starts with a video introduction which feature Pink watching TV. She then gets up and puts her lovers hand into a warm glass of water. She goes upstairs and gets changed into a white shirt and some jeans. She gets on a motorcycle and rides off, resembling her Funhouse music video. She finds a clown crying on the side of the road. She gets of her bike and gives him a flower hat. As the video ends, the clown appears on stage. He walks up to the end of the catwalk and finds a Box with a handle. As he turns the handle, a trapdoor opens, and Pink is lifted up into the air on a rope. The song Bad Influence then starts. She gets lowered down onto the main stage and starts to sing. She then sings Just Like a Pill, Who Knew, Ave Mary A and Don’t Let Me Get Me. She then goes offstage. At some shows, Pink might perform It’s All Your Fault after Just Like A Pill.

A red couch appears on the stage and Pink is seen walking over to it. She then starts to sing I Touch Myself. Whilst singing, hands come out of the couch and touch her. She then performs Please Don’t Leave Me. She briefly goes offstage whilst her dancers come onstage. She comes back on to perform U + Ur Hand. A love heart shaped bed appears onstage as she performs Leave Me Alone (I’m Lonely) and So What. She then goes offstage again.

Her pianist then starts to play piano. She then comes back onstage to perform Family Portrait. She then plays I Don’t Believe You on the guitar. She would then perform Crystal Ball, Trouble and Babe I’m Gonna Leave You. She then goes offstage. At some shows, Pink might perform Dear Mr. President.

Two of her dancers then come and perform Ballet moves. This is then followed by Sober when she performs a trapeze. She quickly goes offstage and returns for Bohemian Rhapsody. Four mirrors are brought onstage as she performs Funhouse and Crazy. She says goodbye to the crowd and goes offstage. On the last leg, she would perform Stupid Girls after Funhouse

For the encore, She performed Get the Party Started and Glitter in the Air. For all shows except for the Premiere, there would be a video montage of all her videos with God Is a DJ playing after Get The Party Started. For Get The Party Started, she would perform some acrobatics. She would then go offstage. After a costume change, she would come back onstage to perform the final number, Glitter In The Air. She would be in the air performing some more acrobatics. Whilst that was happening, she would get lowered into the trapdoor that was used earlier in the show and be dipped in water. After she was lowered back onto the main stage, she bowed and walked offstage. The screen in the background showed THE END on it.

Opening Acts

  • Raygun (Europe Leg 1) (select dates)
  • Faker (Australia) (select dates)
  • Evermore (Australia and Europe Leg 2) (select dates)
  • The Ting Tings (North America) (select dates)

  • Facts
  • To congratulate Pink on eleven sold out concerts at the Brisbane Entertainment Centre, the artist was given a public toilet located on the upper level of the arena, entitled “P!nk Ladies”.
  • The Funhouse Summer Carnival Tour and the Funhouse Tour sold a combined total 3 million tickets
  • She performed 17 shows at Rod Laver Arena in Melbourne, Victoria, breaking Farnham’s record for most shows at the venue during one tour.
  • During a performance at the WIN Entertainment Centre in Wollongong, New South Wales, the tour crew and dancers did an impromptu performance of Michael Jackson’s Thriller.

The show received critical acclaim, with critics commenting on its theatricality and Pink’s live singing.

  • “A Pink show is more than just a pop concert – it’s a major spectacle that you can’t take your eyes off. The show was simply mesmerising.” – Aberdeen Evening Express
  • “Pink can rock it, that’s for sure. She has the anthems, the voice and the sass…4 stars” – The Glasgow Herald
  • “She’s no slouch as an aerial dare-devil, but here’s one rock star at her most compelling when she has two feet planted squarely on the ground.” – The Independent
  • “Her singing was perfect, even when she was suspended mid-air, on her back and spinning rapidly on her harness.” – Express & Star
  • Her stage presence was also praised as “alluring and suggestive,” likening the show to Janet Jackson’s Velvet Rope Tour. – OC Register

Setlists

Premiere:

  1. Bad Influence
  2. Just Like a Pill
  3. Who Knew
  4. Please Don’t Leave Me
  5. It’s All Your Fault
  6. I Touch Myself
  7. One Foot Wrong
  8. U + Ur Hand
  9. Ave Mary A
  10. Leave Me Alone (I’m Lonely)
  11. So What
  12. Family Portrait
  13. I Don’t Believe You
  14. Crystal Ball
  15. Trouble
  16. Babe I’m Gonna Leave You
  17. Sober
  18. Bohemian Rhapsody
  19. Funhouse
  20. Crazy

Encore

  1. Get The Party Started
  2. Glitter in the Air

European 1st Leg 

  1. Bad Influence

Encore

  1. God is a DJ (Video interlude)
  2. Get The Party Started
  3. Glitter in the Air

Australia 

  1. Bad Influence
  2. Just Like a Pill
  3. It’s All Your Fault
  4. Who Knew
  5. Ave Mary A
  6. Don’t Let Me Get Me
  7. I Touch Myself
  8. Please Don’t Leave Me
  9. U + Ur Hand
  10. Leave Me Alone (I’m Lonely)
  11. So What
  12. Family Portrait
  13. I Don’t Believe You
  14. Crystal Ball (Except August 25)
  15. Dear Mr. President (August 25 only)
  16. Trouble
  17. Babe I’m Gonna Leave You
  18. Sober
  19. Bohemian Rhapsody
  20. Funhouse
  21. Crazy

Encore

  1. God is a DJ (video interlude)
  2. Get The Party Started
  3. Glitter in the Air

North America

  1. Bad Influence
  2. Just Like A Pill
  3. Who Knew
  4. Don’t Let Me Get Me
  5. I Touch Myself
  6. Please Don’t Leave Me
  7. U + Ur Hand
  8. Leave Me Alone (I’m Lonely)
  9. So What
  10. Family Portrait
  11. I Don’t Believe You
  12. Dear Mr President
  13. Trouble
  14. Babe I’m Gonna Leave You
  15. Sober
  16. Bohemian Rhapsody
  17. Funhouse
  18. Crazy

Encore

  1. God is a DJ (Video Intertude)
  2. Get The Party Started
  3. Glitter in the Air

European 2nd Leg 

  1. Bad Influence

Encore

  1. God is a DJ (Video Interlude)
  2. Glitter in the Air

Wikipedia

Band/Backing singers/Dancers

  • Jason Chapman – Musical director/Keyboards/Vocals
  • Mark Schulman – Drums/Cello
  • Justin Derrico – Lead guitar
  • Eva Gardner – Bass
  • Kat Lucas – Keyboards/Rhythm guitar/Vocals
  • Jessy Greene – Violin
  • Jenny Douglas-McRae – Background vocals
  • Vivian Saunders – Background vocals
  • Stacy Campbell – Background vocals
  • Leo Moctezuma – Dancer
  • Alison Faulk – Dancer
  • Reina Hidalgo – Dancer
  • Nikki Tuazon – Dancer
  • Addie Yungmee – Dancer
  • Sebastien Stella – Aerialist

Welcome to the Funhouse!

Strap yourselves in please… Spiral down with me into the MADNESS. It’s going to be a wild ride

We’re going around the world in a day, (thats how it feels anyway)

I have had a hell of a time putting this show together – And I do mean that in a nice yummy, positive way – I swear!

I know its a good sign when before I even stepped foot on the stage for the first show my shoulders are sore, I’m newly afraid of heights, and I have a constant attitude problem, it means its going to be GREAT!

Thank you from the itty-bitty bottom of my heart for joining us, for coming out to play and for being so much fun to Rock out with!

Lets SHRED THE GNAR PEOPLE!

xoxoxoxox

P!nk

20 Years of P!nk – Get the Party Started

Release History
9th October 2001

Written by
Linda Perry

Album
Missundaztood 

Peak Position
Australia – 1
Canada – 11
France – 4
Germany – 2
Ireland – 1
Sweden – 3
UK – 2
US – 4

Get the Party Started was the first single from Pink’s second album, Missundaztood, written by Linda Perry. The song became one of Pink’s biggest hits, its success was spurred by heavy airplay in the US, which prompted the song to also peak at number four on Billboard’s Radio Songs chart. It peaked at number two in the UK, where it was narrowly denied the top spot by the posthumous release of George Harrison’s My Sweet Lord. It reached number-one in Australia and number-two in many European countries, most notably Austria, Germany, Italy and Switzerland, being held off from the top position by Shakira’s smash hit Whenever, Wherever.

Get the Party Started was certified gold in Australia, Austria, Germany, France, Sweden and Switzerland, and in Norway it received a platinum certification. The song was nominated for a Grammy Award in 2003 in the category of Best Female Pop Vocal Performance, which it lost to Norah Jones’s Don’t Know Why. It won the award for “Favourite Song” at the Kids’ Choice Awards of 2002, and at the MTV Europe Music Awards of 2002, it won the award for “Best Song”. 

Get the Party Started is often considered one of Pink’s signature songs as she tends to finish her shows with this song in her encore section along with a ballad song such as Nobody Knows and Glitter In The Air. In December, the song was listed as number 81 on Rolling Stone’s Top Songs of the 2000s.

Music Video

The music video was shot by director Dave Meyers in Los Angeles. At 1 minute and 46 seconds into the video, an American Flag is shown, a nod to the September 11 attacks which occurred around the single’s release. The video uses an abbreviated version of the song, cutting out the last chorus, and also cutting out the instrumentals. The song’s composer, Linda Perry, is seen as a bartender.

In the video, Pink is getting ready to go out, trying on different outfits. One of her friends picks her up, and they drive in a car bobbing their heads to the music. However, the car runs out of fuel, so they get out and steal two skateboards from two boys. Pink falls off her skateboard because men in a car are whistling at her. The women arrive at the club but are refused entry, so to get in they use a scaffold to reach the top of the building. Inside the club, Pink changes her clothes and starts to party; in the end Pink dances with two other dancers (Kevin Federline and Georvohn Lambert).

The video was nominated at the 2002 MTV Video Music Awards for “Best Pop Video” and won the awards for “Best Female Video” and “Best Dance Video”.

Music Video

Making the video

I’m Not Dead Tour

Rock in Rio 2019

On This Day in Pink History… 20th February 2003, Pink attended the Brit Awards [VIDEO]

On This Day in Pink History… 20th February 2003, Pink attended the Brit Awards

In 2003, Pink attended the Brit Awards and performed a medley, Get The Party Started & Just Like A Pill. She also won the award for Best International Female Artist.

On This Day in Pink History… 19th February 2002, Don’t Let Me Get Me was released

On This Day in Pink History… 19th February 2002, Don’t Let Me Get Me was released

Don’t Let Me Get Me was released as the second single from Pink’s second album, Missundaztood.

Lyrics

The song earned positive reports from music critics, but most gave sensitively mixed reviews upon her self-hating lyrical content. Robert Christgau in his consumer guide for MSN wrote that “Despite Pink’s audacious claim that she’s not as pretty as ‘damn Britney Spears,’ celebrity anxiety takes a backseat to a credible personal pain rooted in credible family travails, a pain held at bay by expression.” Jim Farber of Entertainment Weekly wrote that “In Don’t Let Me Get Me, she turns self-loathing into a perverse kind of anthem.”

Jason Thompson of PopMatters wrote, “on the power rock of ‘Don’t Let Me Get Me,’ Pink herself tells it like it is and attempts to break free from the image making machine. ‘Tired of being compared / To damn Britney Spears / She’s so pretty / That just ain’t me.’ Well, that’s debatable in itself, but the fact that Pink takes it upon herself to call Spears out should be nothing short of revelatory. Spears certainly has nothing on Pink in the vocal department. Pink can actually sing. And damn well, mind you.”

Jim Alexander wrote a negative review, saying that the rest of Missundaztood is full of bad songs and that “‘Don’t Let Me Get Me’ and ‘Dear Diary’ see all pop joy expunged for acoustic seriousness, dreary unobtrusive beats and lyrics about relationship woes and record company badness.”

Wikipedia

Peak Chart Positions:

  • Australia – 8
  • Germany – 10
  • New Zealand – 1
  • UK – 6
  • US Billboard Hot 100 – 8

20 Years of P!nk – The Party Tour

In 2002, Pink was ready to go on the road to promote her second studio album, Missundaztood. Pink was given complete control of all aspects of the tour including staging and opening acts. 

During an interview at the ESPY Awards, Pink mentioned she chose the group “Candy Ass” because she’d always wanted to be in an all-female band. She further stated that she would cover songs by her musical inspirations including 4 Non Blondes, Aerosmith, Janis Joplin, Guns N’ Roses and Mary J. Blige.

The stage was very simplistic consisting of a backdrop resembling a brick wall with a graffiti text saying “P!nk”, a video screen, lights, instruments, and one microphone. The show’s setup was designed for the nightclubs and concert halls Pink would play that had an average audience size of 3,000 attendees. During this time, Pink’s peers Britney Spears and Christina Aguilera were touring the U.S. as well in sports arenas and amphitheaters. Pink (who previously condemned the comparisons) stated:

“Big productions, to me, are great—like, I love going to Vegas and seeing shows—but I think that sometimes it’s distracting, especially when you are there to listen to the music. I remember being on tour with ‘NSYNC, and I don’t know if this is appropriate, but it was something like a $5 million stage, and to me, that was just like, ‘Man, I will take a box out there and stand on it with a microphone. I ain’t spending that much money.’ I love the shows that are in dingy little dark clubs, smoky, no production whatsoever. My stage show is raw and unpredictable. It’s not a lot of choreography this time. There’s practically no sequencing involved whatsoever. It’s just instruments and a voice and incredible music. When there is a lot of sequencing or ProTools or DATs involved, it gets a little strange, so this is going to be definitely more organic.”

During rehearsals, Pink contacted Lenny Kravitz and jokingly stated she was rehearsing to be the opening act on his upcoming North American tour. She invited the rock singer to watch her rehearse. She also sent him a pair of black and pink panties with “The P!nk/Lenny Tour” written on them. Upon the completion of her North America dates, Pink continued to tour the United States as the opening act for the “Lenny Live Tour”. Once her outing with Kravitz was complete, the singer set out on a mini-tour of Europe, visiting England, Ireland and Germany. She continued her tour into Japan and New Zealand before touring Australia with the “Rumba Festival”.

The tour was sponsored by Bally Total Fitness, giving the tour the sponsored name, “Bally Total Fitness presents Pink’s ‘The Party Tour 2002′”. In conjunction with the sponsorship, the fitness center launched the “Get Your Body Started” movement classes in over 400 Ballys throughout the US and Canada. The centers also hosted dance competitions set to Missundaztood.

Click image for more photos

Band:

  • Keyboards: Jason Chapman and Cassandra O’Neal
  • Drums: Mylious Johnson
  • Guitar: Rafael Moriera
  • Bass guitar: Janis Tanaka
  • Backing vocalist: Cassandra O’Neal and Janis Tanaka

Setlist: 

01. Instrumental Sequence (containing elements of Most Girls)
02. Get the Party Started
03. Missundaztood
04. 18 Wheeler
05. What’s Up?
06. Dear Diary
07. Respect
08. I Love You / You’re All I need to get by
09. Janie’s Got a Gun
10. You Make Me Sick
11. Just Like a Pill 
12. Lonely Girl 
13. Instrumental Sequence (containing elements of Sweet Child o’ Mine)
14. Numb
15. Summertime / Piece of my Heart / Me and Bobby McGee
16. Family Portrait
17. My Vietnam
Encore
18. Eventually 
19. There You Go
20. Don’t Let Me Get Me

Tour Dates:

02.05.02 – Phoenix, USA
04.05.02 – Tucson, USA
05.05.02 – Las Vegas, USA
07.05.02 – Salt Lake City, USA
09.05.02 – Denver, USA
10.05.02 – Bernalillo, USA
12.05.02 – Austin, USA
14.05.02 – Houston, USA
15.05.02 – Grand Prairie, USA
18.05.02 – Orlando, USA
19.05.02 – Fort Lauderdale, USA 
22.05.02 – Atlanta, USA
25.05.02 – Hershey, USA
26.05.02 – Wallingford, USA
28.05.02 – New York City, USA
29.05.02 – New York City, USA
31.05.02 – Boston,USA
01.06.02 – Upper Darby Township, USA
02.05.02 – East Rutherford, USA
04.06.02 – Washington D.C. USA
05.06.02 – Cleveland, USA
07.06.02 – Pittsburgh, USA
09.06.02 – Toronto, Canada
10.06.02 – Detroit, USA
12.06.02 – Rosemont, USA
13.06.02 – Minneapolis, USA
15.06.02 – Pasadena, USA
18.06.02 – Spokane, USA
19.06.02 – Vancouver, Canada 
22.06.02 – Portland, USA
24.06.02 – Santa Rosa, USA
25.06.02 – San Francisco, USA
28.06.02 – Los Angeles, USA
29.06.02 – Los Angeles, USA
30.06.02 – San Diego, USA

05.11.02 – Manchester, England
06.11.02 – Dublin, Ireland 
08.11.02 – Cologne, Germany
11.11.02 – Birmingham, England
12.11..02 – London, England

19.11.02 – Osaka, Japan
21.11.02 – Tokyo, Japan
22.22.02 – Tokyo, Japan

26.11.02 – Dunedin, New Zealand 
27.11.02 – Christchurch, New Zealand
29.11.02 – Wellington, New Zealand 
30.11.02 – Auckland, New Zealand
03.12.02 – Perth, Australia
06.12.02 – Adelaide, Australia
08.12.02 – Melbourne, Australia 
10.12.02 – Gold Coast, Australia
11.12.02 – Brisbane, Australia 
12.12.02 – Wollongong, Australia
14.12.02 – Sydney, Australia

18.12.02 – Honolulu, USA

Los Angeles Full Show
Thanks to YouTube user Joshua Duff for uploading the video

On This Day in Pink History… 13th February 2013, The Truth About Love Tour started in Phoenix, USA

On This Day in Pink History… 13th February 2013, The Truth About Love Tour started in Phoenix, USA

The Truth About Love Tour was the sixth concert tour by P!nk. Sponsored by CoverGirl, and showcasing music from her sixth studio album The Truth About Love, the tour played over 140 shows in Australia, Europe and North America. Shows in Melbourne, Australia were recorded and released on a concert DVD, The Truth About Love Tour: Live from Melbourne.

you definitely don’t walk away from a Pink show shrugging your shoulders and muttering ‘meh.’ It’s far more likely that fans practically skip out of the building, feeling extremely satisfied with the experience and determined to tell others to ‘go see Pink next time she’s in town’ […] Honesty is, as they say, the best policy. And, after watching the Truth About Love Tour, I can honestly say that few, if any, performers deliver better pop spectacles than Pink.

by the time Pink was soaring gracefully through the air on cables stretched across the arena to perform “So What,” the singer had demonstrated an epic workout of vocals, stagecraft and stunt-work without missing a note. The night’s best special effect was Pink herself.

Over 320,000 tickets for the Australian leg of the tour were sold within a few hours of release. The tour broke records for a solo artist tour in Australia with over 650,000 tickets sold. 200,000 tickets were sold for shows in Melbourne breaking a record P!nk had set herself with 2009’s Funhouse Tour. At the 2013 Billboard Touring Awards, Pink won the award for “Top Boxscore”.

The first North American leg of tour grossed $28.3 million from 26 shows, with an average gross per city of $1,134,385. The European leg grossed $30.7 million. The nine-week leg of Australia was expected to generate $100 million.

In Australia, initial grosses reported topped $31.6 million ($29.2 million) from two venues in Sydney and one in Brisbane, however that total did not include the four-night stint in the city of Adelaide, and a record-breaking eighteen shows in Melbourne.

The Truth About Love Tour was the third highest grossing tour of 2013 behind Bon Jovi, and Cirque du Soleil’s Michael Jackson The Immortal World Tour. P!nk was also the highest grossing female touring artist of 2013.

The Truth About Love Tour broke two records at the Rod Laver Arena, in Melbourne, Australia. P!nk is the artist who has performed the most shows at the venue, with a significant 18 sold out shows on The Truth About Love Tour. This record surpassed her previous 17-show record at the venue during her 2009 Funhouse Tour. She was also the first artist to sell more than 250,000 tickets at the venue. In August 2013, P!nk was rewarded a plaque backstage, a second pink pole, a star at the venue’s entrance and Door 18 was painted pink.

P!nk broke Kylie Minogue’s record of most concerts by a female performer at the Entertainment Centre having played twenty-six shows at the venue. Her four sold-out shows at the Allphones Arena in Sydney with more than 67,000 tickets sold, broke the record set by fellow popstar Britney Spears in 2009 with her The Circus Tour.

After playing to nearly 15,000 fans per night in Perth, P!nk now also holds the record for most performances by an artist at the Perth Arena, as well as the top four attended events at the venue.

Michael Coppel, President and CEO of Live Nation Australia, thanked P!nk for spending three months on tour in this country. “Everyone at LNA has been thrilled to be involved in Pink’s record breaking tour, continuing a decade-long association with an artist who continues to set new standards and who has now sold in excess of 1.5 million tickets in Australia.”

The pop star broke her own mark at Melbourne’s Rod Laver Arena with the 18th sold out performance, having set a house record in 2009 with seventeen shows on her Funhouse tour. The combined gross of $29.2 million (US$) in Melbourne was the largest gross for any headliner at a single venue in 2013.

P!nk also sold out the KFC Yum!, in the process becoming the highest-grossing female artist to play the arena to date.

To transport and set up the tour, there was a chartered 747 jumbo jet, nineteen semi-trailers, and eighty crew members to set up 400 tons of equipment. She also opened her first pop-up store which featured things that are not normally available at her concerts. Merchandise included autographed items, backstage passes, T-shirts, key rings, show tickets, etc.

Setlist

  • Raise Your Glass
  • Walk of Shame
  • Just Like a Pill
  • U + Ur Hand
  • Leave Me Alone (I’m Lonely)
  • Try
  • Wicked Game
  • Just Give Me A Reason
  • Trouble
  • Are We All We Are
  • How Come You’re Not Here
  • Sober
  • Family Portrait/The Great Escape
  • Who Knew
  • Fuckin’ Perfect
  • Fire and Rain/Time After Time
  • Most Girls/There You Go/You Make Me Sick medley
  • Slut Like You
  • Blow Me

Encore:

  • So What
  • Glitter in the Air (not performed at all shows)

20 Years of P!nk… Lady Marmalade

Lady Marmalade

Release History
27th March 2001

Written by
Bob Crewe, Kenny Nolan, Kimberly Jones, Missy Elliott

Album
Moulin Rouge! Soundtrack

Peak Position
Australia – 1
Austria – 3
Canada – 17
France – 12
Germany – 1
Ireland – 1
Italy – 6
Netherlands – 2
Sweden – 1 
UK – 1
US – 1

In 2001, the song Lady Marmalade appeared as part of a medley in the film Moulin Rouge!. For the film’s soundtrack album, Christina Aguilera, Lil’ Kim, Mýa, and Pink recorded a cover version; it was released as the soundtrack’s first single in spring 2001. Produced by Missy Elliott and writing partner Rockwilder, it includes an intro and outro from Elliott. Lyrics were changed from the original version, transferring the song’s setting from New Orleans to the Paris nightclub Moulin Rouge.

This version of the song reached number-one in its eighth week on the U.S. Billboard Hot 100 and spent five weeks at the top of the chart, 26 years after Labelle’s version had reached number-one, making Lady Marmalade the ninth song in history to top the U.S. chart as performed as different artists. It was the third airplay-only song in Billboard chart history (after Aaliyah’s 2000 single Try Again and Shaggy’s 2001 single Angel) to hit number one without being released in a major commercially available single format.

The song also holds the record for the longest reigning number one on Billboard‘s Mainstream Top 40 chart for an all female collaboration, topping the chart for nine consecutive weeks. Lady Marmalade is the best-selling single for Lil’ Kim and Mýa. Lil’ Kim also held the record for having the longest number one single on the Billboard Hot 100 for a female rapper, with Lady Marmalade being on the top of the charts for 5 consecutive weeks, until Australian rapper Iggy Azalea’s Fancy surpassed the record by holding on to the number one position for seven weeks in 2014. The song was included on non-US versions of Aguilera’s first greatest hits album, Keeps Gettin’ Better: A Decade of Hits. Lady Marmalade was the top selling song of 2001 and has sold 5.2 million copies worldwide as of December 2001.

The music video, directed by Paul Hunter, shows all four performers in lingerie in a cabaret-style video (with rapper Missy Elliott giving an introduction) and was filmed in Los Angeles with sets built to resemble the actual Moulin Rouge night club around the turn of the 20th century. Interviewed by MTV News, the singers expressed their excitement about the video. P!nk predicted the clip would be like a “circus on acid”. Christina gushed, “The video’s going to be dope”, while elaborating on the video’s concept, “We’re going to be having cabaret costumes. It’s something you’ve never seen from us before. So, it’s going to be fun.” The video’s art direction anachronistically merged hip-hop sensibility with the film’s French cabaret setting, thanks to some props and costumes actually used in the movie, according to Hunter’s office. Choreographer Tina Landon was hired to choreograph the video. Speaking on the collaboration, Christina said she embraced the idea of collaborating with Elliott, Pink, Mýa and Lil’ Kim on the track as soon as it was pitched to her. “I’m a fan of all of theirs, and just to be in the same song doing something with them—collaborating, which I love to do, is a really big thing for me”, she said. “And it’s cool to be out there before my next album comes out there, too.”

The video won the MTV Video Music Award for “Best Video of the Year” and “Best Video from a Film”. The song won the 2002 Grammy Award in the category of “Best Pop Collaboration with Vocals”.

Music video

Making of

Pink talks about Lady Marmalade 

Try This Tour

Grammy Awards

Wango Tango

MTV Movie Awards 2001

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On This Day in Pink History… 8th February 2000, There You Go was released

On This Day in Pink History… 8th February 2000, There You Go was released

There You Go is Pink’s debut single from her debut album, Can’t Take Me Home. The song, written by Pink, Kandi Burruss and Kevin “She’kspere” Briggs, was released in the United States in February 2000. The song is noted for the longest consecutive debut at No. 2 on the US Billboard Hot Dance Club Songs chart and never peaking at No. 1, staying at No. 2 for ten consecutive weeks.

The single peaked at number 7 on the Billboard Hot 100, number 2 on the Australian ARIA Singles Chart and number 6 on the UK Singles Chart. In Australia it was credited Platinum with sales of over 70,000.

Allmusic highlighted the song. Rob Brunner compared: “Briggs’s ‘There You Go’ is remarkably similar to his hits for Destiny’s Child (‘Bills, Bills, Bills’) and TLC (‘No Scrubs’) but minus the vocal interplay that gives those tunes their punch.” MTV Asia wrote that this song is an edgy cut that haves all that it takes to top the charts. Rolling Stone was also positive: “Her debut has one awesome single in ‘There You Go’, whose wronged-woman sass is set to a stop-start groove so bling-bling it redeems a chorus that ends, ‘Sometimes it be’s like that.'” Complex magazine named it the 11th best R&B song by a white singer in 2000s.

In the music video, Pink’s ex-boyfriend calls her asking for a ride, and she reluctantly agrees to give him one. Pink hops on a motorcycle and rides to the top of a parking structure overlooking her ex’s apartment, where she calls him on her cell. She then accelerates her motorcycle, jumps off at the last second, and watches as it soars off the building and crashes into his apartment window before exploding into flames. Pink then jumps into a car driven by a new guy, giving her ex the middle finger as they drive off. The Entertainment Weekly editor described the video with the following: “In the video for ‘There You Go’ — her smash single — the piqued Pink freaks, sending a motorcycle crashing into Floyd’s fab bachelor pad.”

Wikipedia