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On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

We Are the World 25 for Haiti” is a charity single recorded by the supergroup Artists for Haiti in 2010. It is a remake of the 1985 hit song “We Are the World”, which was written by American musicians Michael Jackson and Lionel Richie, and was recorded by USA for Africa to benefit famine relief in Africa. Initially, in late 2009, it had been suggested to Richie and Quincy Jones—producer of the original “We Are the World”—that a re-cut version of the song be re-released under the title “Live 25”. Following the magnitude 7.0 Mw earthquake in Haiti, which devastated the area and killed thousands of people, it was agreed that the song would be re-recorded by new artists, in the hope that it would reach a new generation and help benefit the people of Haiti.

The song was recorded in fourteen and a half hours by over eighty artists on February 1, 2010. It was produced by Quincy Jones, and executively produced by Lionel Richie, and Haitian-American musician Wyclef Jean. A music video directed by Paul Haggis was released to accompany and promote the song. The song was also recorded in Spanish by a Latin supergroup and was named Somos el Mundo. The song was directed by Emilio Estefan and his wife, Gloria Estefan.

The new version of the song was recorded on February 1, 2010, in a session lasting 14 hours. Eighty-five musicians were reportedly involved in the song’s recording, which was held in the same place as the original, at Henson Recording Studio on Beverly Boulevard in Los Angeles, California. Also similar to the 1985 process, some of the participating musicians were already in Los Angeles to attend an awards ceremony: the 52nd Grammy Awards. Jones said of the recording session, “It was a big challenge. It takes a serious army and serious emotional architecture. I’ve never seen such a diverse group of people, and they came for the right reasons.” The recording process brought together diverse artists, with the oldest being 83-year-old Tony Bennett and the youngest being 9-year-old Ethan Bortnick.

“We Are the World 25 for Haiti” debuted within the top 30 in multiple territories. “We Are the World 25 for Haiti” charted at number 27 on the Spanish Singles Chart on the charts. The song debuted at number 17 in New Zealand on the charts. “We Are the World 25 for Haiti” peaked within the top five, charting at number three in Norway on the charts; the chart’s position is currently the song’s highest charting international territory since its release. The song debuted at number 25 in France.

“We Are the World 25 for Haiti” charted at number two on the Billboard Hot 100, behind Kesha’s “Tik Tok”. “We Are the World 25 for Haiti” charted higher in its debut week than the original version, which entered the Billboard Hot 100 at number 21. According to Billboard, the song’s charting position stemmed mainly from download sales, with a reported 96% of the song’s charting being from such sales. Following the song’s debut during the Olympics, 246 radio stations sampled the song in the United States. Radio stations in New York expressed that they would play the song frequently to raise awareness of Haitian citizens in need. Other radio stations throughout the United States echoed similar responses on the song getting airplay.

The song also sold over 267,000 downloads in three days. “We Are the World 25 for Haiti” debuted at number eight on the Canadian Hot 100. The song also debuted at number six in Belgium Wallonia and Flanders, as well at debuting at number 17 in Sweden. The song also charted at number 28 in Denmark. The song entered Irish charts at number nine. In the song’s second week of release in Norway, “We Are the World 25 for Haiti” moved up two spaces, topping the chart. Unlike the song’s chart performance in territories like Norway, the song dropped four places on the Billboard Hot 100 to sixth place and stayed in the charts for only five weeks more.

Wikipedia

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

We Are the World 25 for Haiti” is a charity single recorded by the supergroup Artists for Haiti in 2010. It is a remake of the 1985 hit song “We Are the World”, which was written by American musicians Michael Jackson and Lionel Richie, and was recorded by USA for Africa to benefit famine relief in Africa. Initially, in late 2009, it had been suggested to Richie and Quincy Jones—producer of the original “We Are the World”—that a re-cut version of the song be re-released under the title “Live 25”. Following the magnitude 7.0 Mw earthquake in Haiti, which devastated the area and killed thousands of people, it was agreed that the song would be re-recorded by new artists, in the hope that it would reach a new generation and help benefit the people of Haiti.

The song was recorded in fourteen and a half hours by over eighty artists on February 1, 2010. It was produced by Quincy Jones, and executively produced by Lionel Richie, and Haitian-American musician Wyclef Jean. A music video directed by Paul Haggis was released to accompany and promote the song. The song was also recorded in Spanish by a Latin supergroup and was named Somos el Mundo. The song was directed by Emilio Estefan and his wife, Gloria Estefan.

The new version of the song was recorded on February 1, 2010, in a session lasting 14 hours. Eighty-five musicians were reportedly involved in the song’s recording, which was held in the same place as the original, at Henson Recording Studio on Beverly Boulevard in Los Angeles, California. Also similar to the 1985 process, some of the participating musicians were already in Los Angeles to attend an awards ceremony: the 52nd Grammy Awards. Jones said of the recording session, “It was a big challenge. It takes a serious army and serious emotional architecture. I’ve never seen such a diverse group of people, and they came for the right reasons.” The recording process brought together diverse artists, with the oldest being 83-year-old Tony Bennett and the youngest being 9-year-old Ethan Bortnick.

“We Are the World 25 for Haiti” debuted within the top 30 in multiple territories. “We Are the World 25 for Haiti” charted at number 27 on the Spanish Singles Chart on the charts. The song debuted at number 17 in New Zealand on the charts. “We Are the World 25 for Haiti” peaked within the top five, charting at number three in Norway on the charts; the chart’s position is currently the song’s highest charting international territory since its release. The song debuted at number 25 in France.

“We Are the World 25 for Haiti” charted at number two on the Billboard Hot 100, behind Kesha’s “Tik Tok”. “We Are the World 25 for Haiti” charted higher in its debut week than the original version, which entered the Billboard Hot 100 at number 21. According to Billboard, the song’s charting position stemmed mainly from download sales, with a reported 96% of the song’s charting being from such sales. Following the song’s debut during the Olympics, 246 radio stations sampled the song in the United States. Radio stations in New York expressed that they would play the song frequently to raise awareness of Haitian citizens in need. Other radio stations throughout the United States echoed similar responses on the song getting airplay.

The song also sold over 267,000 downloads in three days. “We Are the World 25 for Haiti” debuted at number eight on the Canadian Hot 100. The song also debuted at number six in Belgium Wallonia and Flanders, as well at debuting at number 17 in Sweden. The song also charted at number 28 in Denmark. The song entered Irish charts at number nine. In the song’s second week of release in Norway, “We Are the World 25 for Haiti” moved up two spaces, topping the chart. Unlike the song’s chart performance in territories like Norway, the song dropped four places on the Billboard Hot 100 to sixth place and stayed in the charts for only five weeks more.

Wikipedia

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

We Are the World 25 for Haiti” is a charity single recorded by the supergroup Artists for Haiti in 2010. It is a remake of the 1985 hit song “We Are the World”, which was written by American musicians Michael Jackson and Lionel Richie, and was recorded by USA for Africa to benefit famine relief in Africa. Initially, in late 2009, it had been suggested to Richie and Quincy Jones—producer of the original “We Are the World”—that a re-cut version of the song be re-released under the title “Live 25”. Following the magnitude 7.0 Mw earthquake in Haiti, which devastated the area and killed thousands of people, it was agreed that the song would be re-recorded by new artists, in the hope that it would reach a new generation and help benefit the people of Haiti.

The song was recorded in fourteen and a half hours by over eighty artists on February 1, 2010. It was produced by Quincy Jones, and executively produced by Lionel Richie, and Haitian-American musician Wyclef Jean. A music video directed by Paul Haggis was released to accompany and promote the song. The song was also recorded in Spanish by a Latin supergroup and was named Somos el Mundo. The song was directed by Emilio Estefan and his wife, Gloria Estefan.

The new version of the song was recorded on February 1, 2010, in a session lasting 14 hours. Eighty-five musicians were reportedly involved in the song’s recording, which was held in the same place as the original, at Henson Recording Studio on Beverly Boulevard in Los Angeles, California. Also similar to the 1985 process, some of the participating musicians were already in Los Angeles to attend an awards ceremony: the 52nd Grammy Awards. Jones said of the recording session, “It was a big challenge. It takes a serious army and serious emotional architecture. I’ve never seen such a diverse group of people, and they came for the right reasons.” The recording process brought together diverse artists, with the oldest being 83-year-old Tony Bennett and the youngest being 9-year-old Ethan Bortnick.

“We Are the World 25 for Haiti” debuted within the top 30 in multiple territories. “We Are the World 25 for Haiti” charted at number 27 on the Spanish Singles Chart on the charts. The song debuted at number 17 in New Zealand on the charts. “We Are the World 25 for Haiti” peaked within the top five, charting at number three in Norway on the charts; the chart’s position is currently the song’s highest charting international territory since its release. The song debuted at number 25 in France.

“We Are the World 25 for Haiti” charted at number two on the Billboard Hot 100, behind Kesha’s “Tik Tok”. “We Are the World 25 for Haiti” charted higher in its debut week than the original version, which entered the Billboard Hot 100 at number 21. According to Billboard, the song’s charting position stemmed mainly from download sales, with a reported 96% of the song’s charting being from such sales. Following the song’s debut during the Olympics, 246 radio stations sampled the song in the United States. Radio stations in New York expressed that they would play the song frequently to raise awareness of Haitian citizens in need. Other radio stations throughout the United States echoed similar responses on the song getting airplay.

The song also sold over 267,000 downloads in three days. “We Are the World 25 for Haiti” debuted at number eight on the Canadian Hot 100. The song also debuted at number six in Belgium Wallonia and Flanders, as well at debuting at number 17 in Sweden. The song also charted at number 28 in Denmark. The song entered Irish charts at number nine. In the song’s second week of release in Norway, “We Are the World 25 for Haiti” moved up two spaces, topping the chart. Unlike the song’s chart performance in territories like Norway, the song dropped four places on the Billboard Hot 100 to sixth place and stayed in the charts for only five weeks more.

Wikipedia

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

On This Day in Pink History… 1st February 2010, Pink took part in the We Are The World remake

We Are the World 25 for Haiti” is a charity single recorded by the supergroup Artists for Haiti in 2010. It is a remake of the 1985 hit song “We Are the World”, which was written by American musicians Michael Jackson and Lionel Richie, and was recorded by USA for Africa to benefit famine relief in Africa. Initially, in late 2009, it had been suggested to Richie and Quincy Jones—producer of the original “We Are the World”—that a re-cut version of the song be re-released under the title “Live 25”. Following the magnitude 7.0 Mw earthquake in Haiti, which devastated the area and killed thousands of people, it was agreed that the song would be re-recorded by new artists, in the hope that it would reach a new generation and help benefit the people of Haiti.

The song was recorded in fourteen and a half hours by over eighty artists on February 1, 2010. It was produced by Quincy Jones, and executively produced by Lionel Richie, and Haitian-American musician Wyclef Jean. A music video directed by Paul Haggis was released to accompany and promote the song. The song was also recorded in Spanish by a Latin supergroup and was named Somos el Mundo. The song was directed by Emilio Estefan and his wife, Gloria Estefan.

The new version of the song was recorded on February 1, 2010, in a session lasting 14 hours. Eighty-five musicians were reportedly involved in the song’s recording, which was held in the same place as the original, at Henson Recording Studio on Beverly Boulevard in Los Angeles, California. Also similar to the 1985 process, some of the participating musicians were already in Los Angeles to attend an awards ceremony: the 52nd Grammy Awards. Jones said of the recording session, “It was a big challenge. It takes a serious army and serious emotional architecture. I’ve never seen such a diverse group of people, and they came for the right reasons.” The recording process brought together diverse artists, with the oldest being 83-year-old Tony Bennett and the youngest being 9-year-old Ethan Bortnick.

“We Are the World 25 for Haiti” debuted within the top 30 in multiple territories. “We Are the World 25 for Haiti” charted at number 27 on the Spanish Singles Chart on the charts. The song debuted at number 17 in New Zealand on the charts. “We Are the World 25 for Haiti” peaked within the top five, charting at number three in Norway on the charts; the chart’s position is currently the song’s highest charting international territory since its release. The song debuted at number 25 in France.

“We Are the World 25 for Haiti” charted at number two on the Billboard Hot 100, behind Kesha’s “Tik Tok”. “We Are the World 25 for Haiti” charted higher in its debut week than the original version, which entered the Billboard Hot 100 at number 21. According to Billboard, the song’s charting position stemmed mainly from download sales, with a reported 96% of the song’s charting being from such sales. Following the song’s debut during the Olympics, 246 radio stations sampled the song in the United States. Radio stations in New York expressed that they would play the song frequently to raise awareness of Haitian citizens in need. Other radio stations throughout the United States echoed similar responses on the song getting airplay.

The song also sold over 267,000 downloads in three days. “We Are the World 25 for Haiti” debuted at number eight on the Canadian Hot 100. The song also debuted at number six in Belgium Wallonia and Flanders, as well at debuting at number 17 in Sweden. The song also charted at number 28 in Denmark. The song entered Irish charts at number nine. In the song’s second week of release in Norway, “We Are the World 25 for Haiti” moved up two spaces, topping the chart. Unlike the song’s chart performance in territories like Norway, the song dropped four places on the Billboard Hot 100 to sixth place and stayed in the charts for only five weeks more.

Wikipedia

20 Years of P!nk – Can’t Take Me Home

Can’t Take Me Home

Twenty years ago, P!nk released her debut solo album, Can’t Take Me Home, with LaFace Records. It was released on the 4th April 2000 in the United States and produced three singles: There You Go, Most Girls and You Make Me Sick.

The album was produced by Kevin “She’kspere” Briggs, Babyface, Kandi Burruss, Terence “Tramp Baby” Abney, Daryl Simmons and Tricky. Pink shared co-writing credit on seven of the album’s tracks. 

The album was also released as a special UK edition with special remixes of There You Go and Most Girls

Track list & Writers

Split Personality – Pink, Terence “Tramp Baby” Abney, Babyface
Hell Wit Ya – Pink, Kevin “She’kspere” Briggs, Kandi Burruss, Darius Green
Most Girls – Babyface, Damon Thomas
There You Go – Pink, Kevin “She’kspere” Briggs, Kandi Burruss
You Make Me Sick – Obi Nwobosi, Ainsworth Prasad, Merthony Tabb
Let Me Let You Know – Neal Creque, Sean Hall, Christopher “Tricky” Stewart, Robin Thicke
Love Is Such a Crazy Thing – Jason Boyd, Daron Jones, Michael Keith, Quinnes Parker, Marvin Scandrick, Lamont “Stro” Maxwell, Courtney Sills
Private Show – Kenneth Karlin, Andrea Martin, Ivan Matias, Carsten “Soulshock” Schack
Can’t Take Me Home – Pink, Harold Frasier, Steve “Rhythm” Clarke
Stop Falling – Pink, Will Baker, Pete Woodruff
Do What U Do – James Hollins, Exekiel Lewis, Kawan Prather, Maurice “Big Reese” Sinclair
Hiccup – Pink, Harold Frasier, Delouie Avant, Steve “Rhythm” Clarke
Is It Love – Pink, Harold Frasier, Delouie Avant, Steve “Rhythm” Clarke, Aaron Philips 

Peak Positions

Australia – 10
Belgium – 48
Canada – 20
Netherlands – 58
Germany – 85
Ireland – 23
New Zealand – 12
UK – 13
US – 26

GALLERY

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On This Day in Pink History… 26th July 2012, Blow Me (One Last Kiss) music video was released

On This Day in Pink History… 26th July 2012, Blow Me (One Last Kiss) music video was released

In Summer 2012, Pink was back with her new single, Blow Me (One Last Kiss). The music video was released on 26th July 2012 on MTV and VEVO. The video was directed by Dave Meyers who has directed many of Pink’s music videos. The video, with opening titles in French, was shot in black and white, but a colour version was leaked online in August.

The video begins with Pink having a picnic with her love interest (Sebastian de la Forza). The two lean in for a kiss, which is interrupted by him taking a phone call. Pink splashes him with red wine, and walks away through the trees. She meets another man on his motorbike (Alexander Ercheverria) and goes home with him. He draws a portrait of her. Pink watches through the window as many female guests arrive for a party the man has organised. During the party, she dances with one of the women until she is interrupted by the man who brought her home. Pink wears a black suit with her hair pushed back and dances with the woman (Mosh). The man gets down on one knee and proposes. Pink accepts by giving him her hand but is disappointed to find out the proposal was meant for her dance partner. During their wedding ceremony, Pink is dressed completely in black, as if she is attending a funeral. A flying bike appears above the guests (Andreas-Holm Hansen), which is carrying a heart-shaped balloon. The balloon pops, and red liquid covers the guests as Pink sings and dances cheerfully. She joins the driver of the flying bike, and they fly away together at the end of this video clip across the countryside, into the sunset, under a bridge, over trees and up close to a big hill on the high flying bicycle with eagle wings.

24

On This Day in Pink History… 3rd July 2012, Blow Me (One Last Kiss) was released

On This Day in Pink History… 3rd July 2012, Blow Me (One Last Kiss) was released

In summer 2012, Pink was back with her new single, Blow Me (One Last Kiss), from her up-coming album, The Truth About Love. Written by Pink, Greg Kurstin, Dann Gallucci, Eric Judy and Isaac Brock, and produced by Kurstin, the song was critically acclaimed and named as “classic Pink”.

Speaking to Billboard Magazine in August 2012, Greg Kurstin revealed that he and the singer had trouble coming up with a name for the track.The producer had been working with Pink on an intense nine-day songwriting session that yielded six songs. One particular track, an empowering breakup anthem in the vein of “So What,” seemed like it might be written and recorded within a day-it just needed a title. “She kept coming back to ‘Let’s throw in the towel,’ and it was one of those things where we had to say, ‘Is that line really the song?'” Kurstin recalled. “So then I came back with ‘Blow me … one last kiss’ and we got really excited. Most of the time with Pink she’s so strong writing lyrics I don’t really interfere. I let her do her thing. That could’ve been the only time I did that.”

Blow Me (One Last Kiss) first appeared on the Australian Singles Chart in mid July 2012, debuting at number 1. The song peaked at number 8 on the New Zealand Top 40 chart. It also debuted at number 13 on the Canadian Hot 100 chart. In Ireland, the song debuted at number 23 on the Irish Singles Chart. In the United Kingdom, the song debuted at number 3 with sales over 70,000 in September 2012 behind Ne-Yo’s Let Me Love You (Until You Learn to Love Yourself) and The Script’s Hall of Fame. Despite of not reaching No.1 in the Singles Chart it did reach No.1 In the UK iTunes Chart, it debuted at number one in Scotland.

In the United States, the song debuted at number 58 on the BillboardHot 100 and peaked at number 5. As of August 2013, Pink is placed joint-third with Lady Gaga (12) behind Rihanna (24) and Beyoncé (14) for most top ten hits for a female artist since 2000. The song also topped the German Airplay Chart, becoming Pink’s tenth consecutive single to do so and increasing her (previously broken) record for the most consecutive number 1 singles in Germany. The song also appeared on the South African Airplay Chart, reaching a peak position of number 2. On Billboard’s Dance/Mix Show Airplay chart, it gave Pink her fourth number-one single on this chart. It has sold 2,164,000 copies in the US as of July 2013.

Wikipedia

There are two versions of the music video for Blow Me (One Last Kiss). The original version is black & white with splashes of colour. The second version is the same, except that it is in colour. The video features opening titles in French and begins with Pink having a picnic with her love interest (Sebastian de la Forza). The two lean in for a kiss, which is interrupted by him taking a phone call. Pink splashes him with red wine, and walks away through the trees. She meets another man on his motorbike (Alexander Ercheverria) and goes home with him. He draws a portrait of her. Pink watches through the window as many female guests arrive for a party the man has organised. During the party, she dances with one of the women until she is interrupted by the man who brought her home. Pink wears a black suit with her hair pushed back and dances with the woman (Mosh). The man gets down on one knee and proposes. Pink accepts by giving him her hand but is disappointed to find out the proposal was meant for her dance partner. During their wedding ceremony, Pink is dressed completely in black, as if she is attending a funeral. A flying bike appears above the guests (Andreas-Holm Hansen), which is carrying a heart-shaped balloon. The balloon pops, and red liquid covers the guests as Pink sings and dances cheerfully. She joins the driver of the flying bike, and they fly away together at the end of this video clip across the countryside, into the sunset, under a bridge, over trees and up close to a big hill on the high flying bicycle with eagle wings.

MTV’s James Montgomery assured Pink’s fans that she hasn’t changed, while crediting the video for its angry and funny nature, saying “While your heroine might be saying she’s a changed woman, the ‘Blow Me’ video proves that she’s not. It’s just as angry as her previous clips, and nearly as funny too.”

The single also came with a b-side, The King is Dead but the Queen is Alive.

PinkHistory’s favourite performances of Blow Me (One Last Kiss) 

On This Day in #PinkHistory… 30th June 2013, True Love music video was released

On This Day in #PinkHistory… 30th June 2013, True Love music video was released

According to Pink’s official Facebook page, the music video for True Love was planned to premiere on July 1, 2013. The video was leaked online on June 30, on the website Direct Lyrics; however, a few hours later the video was released to her official VEVO account, a day earlier than planned.

The video directed by Sophie Muller (who also directed videos for Trouble and I Don’t Believe You) features Pink, her husband Carey Hart and her 2-year-old daughter Willow. It is the fourth music video that Hart appears alongside P!nk. The video is a melody of flashing and swirling colors. Pink stated that she had no time for a dramatic music video, (like her previous videos for Just Give Me a Reason and Try, which show Pink’s emotional and dramatic side) due to her being on her sold-out worldwide tour, backstage footage of which is featured in the video. Lily Allen was filmed separately, and during her short part in the song she is shown cutting vegetables and throwing them into a blender.

On This Day in Pink History… 29th June 2002, Pink played at the Wiltern Theatre in Los Angeles on the Party Tour

On This Day in Pink History… 29th June 2002, Pink played at the Wiltern Theatre in Los Angeles on the Party Tour

Setlist:
Get the Party Started
Missundaztood
18 Wheeler
What’s Up?
Dear Diary
Respect
Medley: I Love You / You’re All I Need to Get By
Janie’s Got a Gun
You Make Me Sick
Just like a Pill
Lonely Girl
Sweet Child o’ Mine
Numb
Janis Joplin Medley: Summertime/Piece of My Heart/Me and Bobby McGee
Family Portrait
My Vietnam
Encore:
Eventually
There You Go
Don’t Let Me Get Me

Thanks to CLD from pinkspage for uploading the video and providing the setlist