Tag Archives: music video

On This Day in Pink History… 26th July 2012, Blow Me (One Last Kiss) music video was released

On This Day in Pink History… 26th July 2012, Blow Me (One Last Kiss) music video was released

In Summer 2012, Pink was back with her new single, Blow Me (One Last Kiss). The music video was released on 26th July 2012 on MTV and VEVO. The video was directed by Dave Meyers who has directed many of Pink’s music videos. The video, with opening titles in French, was shot in black and white, but a colour version was leaked online in August.

The video begins with Pink having a picnic with her love interest (Sebastian de la Forza). The two lean in for a kiss, which is interrupted by him taking a phone call. Pink splashes him with red wine, and walks away through the trees. She meets another man on his motorbike (Alexander Ercheverria) and goes home with him. He draws a portrait of her. Pink watches through the window as many female guests arrive for a party the man has organised. During the party, she dances with one of the women until she is interrupted by the man who brought her home. Pink wears a black suit with her hair pushed back and dances with the woman (Mosh). The man gets down on one knee and proposes. Pink accepts by giving him her hand but is disappointed to find out the proposal was meant for her dance partner. During their wedding ceremony, Pink is dressed completely in black, as if she is attending a funeral. A flying bike appears above the guests (Andreas-Holm Hansen), which is carrying a heart-shaped balloon. The balloon pops, and red liquid covers the guests as Pink sings and dances cheerfully. She joins the driver of the flying bike, and they fly away together at the end of this video clip across the countryside, into the sunset, under a bridge, over trees and up close to a big hill on the high flying bicycle with eagle wings.

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On This Day in Pink History… 3rd July 2012, Blow Me (One Last Kiss) was released

On This Day in Pink History… 3rd July 2012, Blow Me (One Last Kiss) was released

In summer 2012, Pink was back with her new single, Blow Me (One Last Kiss), from her up-coming album, The Truth About Love. Written by Pink, Greg Kurstin, Dann Gallucci, Eric Judy and Isaac Brock, and produced by Kurstin, the song was critically acclaimed and named as “classic Pink”.

Speaking to Billboard Magazine in August 2012, Greg Kurstin revealed that he and the singer had trouble coming up with a name for the track.The producer had been working with Pink on an intense nine-day songwriting session that yielded six songs. One particular track, an empowering breakup anthem in the vein of “So What,” seemed like it might be written and recorded within a day-it just needed a title. “She kept coming back to ‘Let’s throw in the towel,’ and it was one of those things where we had to say, ‘Is that line really the song?'” Kurstin recalled. “So then I came back with ‘Blow me … one last kiss’ and we got really excited. Most of the time with Pink she’s so strong writing lyrics I don’t really interfere. I let her do her thing. That could’ve been the only time I did that.”

Blow Me (One Last Kiss) first appeared on the Australian Singles Chart in mid July 2012, debuting at number 1. The song peaked at number 8 on the New Zealand Top 40 chart. It also debuted at number 13 on the Canadian Hot 100 chart. In Ireland, the song debuted at number 23 on the Irish Singles Chart. In the United Kingdom, the song debuted at number 3 with sales over 70,000 in September 2012 behind Ne-Yo’s Let Me Love You (Until You Learn to Love Yourself) and The Script’s Hall of Fame. Despite of not reaching No.1 in the Singles Chart it did reach No.1 In the UK iTunes Chart, it debuted at number one in Scotland.

In the United States, the song debuted at number 58 on the BillboardHot 100 and peaked at number 5. As of August 2013, Pink is placed joint-third with Lady Gaga (12) behind Rihanna (24) and Beyoncé (14) for most top ten hits for a female artist since 2000. The song also topped the German Airplay Chart, becoming Pink’s tenth consecutive single to do so and increasing her (previously broken) record for the most consecutive number 1 singles in Germany. The song also appeared on the South African Airplay Chart, reaching a peak position of number 2. On Billboard’s Dance/Mix Show Airplay chart, it gave Pink her fourth number-one single on this chart. It has sold 2,164,000 copies in the US as of July 2013.

Wikipedia

There are two versions of the music video for Blow Me (One Last Kiss). The original version is black & white with splashes of colour. The second version is the same, except that it is in colour. The video features opening titles in French and begins with Pink having a picnic with her love interest (Sebastian de la Forza). The two lean in for a kiss, which is interrupted by him taking a phone call. Pink splashes him with red wine, and walks away through the trees. She meets another man on his motorbike (Alexander Ercheverria) and goes home with him. He draws a portrait of her. Pink watches through the window as many female guests arrive for a party the man has organised. During the party, she dances with one of the women until she is interrupted by the man who brought her home. Pink wears a black suit with her hair pushed back and dances with the woman (Mosh). The man gets down on one knee and proposes. Pink accepts by giving him her hand but is disappointed to find out the proposal was meant for her dance partner. During their wedding ceremony, Pink is dressed completely in black, as if she is attending a funeral. A flying bike appears above the guests (Andreas-Holm Hansen), which is carrying a heart-shaped balloon. The balloon pops, and red liquid covers the guests as Pink sings and dances cheerfully. She joins the driver of the flying bike, and they fly away together at the end of this video clip across the countryside, into the sunset, under a bridge, over trees and up close to a big hill on the high flying bicycle with eagle wings.

MTV’s James Montgomery assured Pink’s fans that she hasn’t changed, while crediting the video for its angry and funny nature, saying “While your heroine might be saying she’s a changed woman, the ‘Blow Me’ video proves that she’s not. It’s just as angry as her previous clips, and nearly as funny too.”

The single also came with a b-side, The King is Dead but the Queen is Alive.

 

On This Day in #PinkHistory… 30th June 2013, True Love music video was released

On This Day in #PinkHistory… 30th June 2013, True Love music video was released

According to Pink’s official Facebook page, the music video for True Love was planned to premiere on July 1, 2013. The video was leaked online on June 30, on the website Direct Lyrics; however, a few hours later the video was released to her official VEVO account, a day earlier than planned.

The video directed by Sophie Muller (who also directed videos for Trouble and I Don’t Believe You) features Pink, her husband Carey Hart and her 2-year-old daughter Willow. It is the fourth music video that Hart appears alongside P!nk. The video is a melody of flashing and swirling colors. Pink stated that she had no time for a dramatic music video, (like her previous videos for Just Give Me a Reason and Try, which show Pink’s emotional and dramatic side) due to her being on her sold-out worldwide tour, backstage footage of which is featured in the video. Lily Allen was filmed separately, and during her short part in the song she is shown cutting vegetables and throwing them into a blender.

On This Day in #PinkHistory… 4th June 2018, Whatever You Want was released

On This Day in #PinkHistory… 4th June 2018, Whatever You Want was released

Whatever You Want is a song recorded by Pink from her seventh studio album Beautiful Trauma. Pink co-wrote the song with its producers, Max Martin and Shellback. The song impacted hot adult contemporary radio on June 4, 2018, as the third single from the album.

Whatever You Want was released as the second promotional single from Beautiful Trauma in October 2017 before it became the album’s second single. The song debuted alongside the announcement of Beautiful Trauma World Tour and a documentary on Apple Music.

The music video for the song was premiered on Apple Music in March, 2018. It was released exclusively for Apple Music users and then released to the public the following day. The music video was directed and edited by Brad Comfort. It contains clips of Pink preparing for her Beautiful Trauma World Tour, clips from her performance at Super Bowl LII, and clips from her at the 2017 MTV Video Music Awards.

 

On This Day in Pink History… 18th May 2006, Who Knew was released

On This Day in Pink History… 18th May 2006, Who Knew was released

Who Knew was released as the second single from Pink’s fourth studio album, I’m Not Dead. Written by Pink, Max Martin and Dr. Luke, it was released by LaFace Records. The single also had the b-side Disconnected.

Upon its release, Who Knew was mostly well-received from music critics, who acclaimed it as a solid song on the album and lauded the lyrical content, however the song faced comparisons for having similarities with Kelly Clarkson’s 2004 single Since U Been Gone. The song was commercially successful worldwide, where it peaked in the top spot in countries including Australia, Czech Republic, Germany, Hungary and component charts in the United States. In addition, the song is also Pink’s longest chart runner on the Hot 100, spending 36 weeks before dropping out.

The song is lyrically about loosing a friend to drugs. Pink says of her experience:

“My life was insane, I was [in her youth] out of control and doing lots of stupid things. Some of my friends were selling crack, and I got into drugs too. I’ve always been honest about that, although I don’t like going into details. I’ve got lots of young fans and I wouldn’t want to give them any ideas. I found a friend dead from a drug overdose when I was 14. He was a male friend, not a boyfriend. Most of the people at the funeral were just children. It should have been a wake-up call for me, but it wasn’t.”

In the Oceanic region, the song debuted at number six on the Australian Singles Chart. The song then rose and peaked at number two for two consecutive weeks. In total, the song stayed in the charts for thirty-two weeks, becoming Pink’s second longest charting single in that country. The song is also the seventy-fifth Best Of All Time single in Australia, and is certified platinum for sales of over 70,000 copies. It was ranked at number nine on ARIA’s Top 100 singles of 2006. The song had debuted at number thirty-six on the New Zealand Singles Chart, and eventually rose to number eleven, just missing the top ten. The song spent a total of twelve weeks on the charts.

In the European markets, the song was generally successful. Who Knew entered the UK Singles Chart at nineteen in early June, 2006 and ascended to a peak at five the following week. It is her joint fifth highest charting single in the UK and her second longest charting behind only So What. With a total of 26 weeks inside the top 100 songs it beats her number-one hit Just Like A Pill. The song had success throughout other charts in Europe, where it peaked in the top twenty in Switzerland, Austria, France, Belgium, Finland and Norway, while it peaked in the top fifty in The Netherlands and Sweden.

When the single was originally released in North America, Who Knew was less successful. Though it peaked at number nineteen on the BDS Airplay Chart in Canada, it was virtually ignored by American radio. In the U.S., where it was released to mainstream radio in May, 2006, it failed to chart on the Billboard Hot 100, initially reaching number 18 on the Bubbling Under Hot 100 Singles chart (which comprises the most popular songs yet to enter the Hot 100). Billboard magazine credited the poor performance of the single on radio with significantly reducing momentum of initial sales of I’m Not Dead.

The single’s video was directed by Dragon, a team comprising Sam Bayer, Robert Hales and Brian Lazzaro. It was filmed in a weekend in April, 2006 in Los Angeles, United States, and it was released to the internet and to UK music channels in early May 2006. The video reached number one on MTV Germany’s top ten and on TRL Italy. Who Knew was voted number one on TRL Germany twenty times, allowing Pink to earn the “Golden Tape”. In the U.S. Total Request Livebroadcast a “First Look” of the video in May, and it debuted on the show’s top ten countdown; it spent eight non-consecutive days on the countdown, peaking at number seven.

It features a young couple visiting a fairground and going on the rides, and at one point the boy puts a necklace on the girl. The video flashes back to the boy secretly injecting himself with drugs on a previous night while the girl is sleeping. At the carnival, when the girl is playing a game, the boy walks away. The girl realizes he’s gone and follows him, but when she tries to get him to stay with her he gets violent. He goes to the back of the fairground to inject himself with drugs and breaks into a sweat. His girlfriend wanders around looking for him, and finds him unconscious; he has overdosed. She gives him a kiss, gives back the necklace and phones for an ambulance; after it has arrived, she walks away crying. The video is inter-cut with shots of Pink singing the song at the entrance to the fairground.

Click on the image for Who Knew Lyrics

Click on the image for Disconnected Lyrics

On This Day in Pink History… 9th May 2016, Just Like Fire music video was released

On This Day in Pink History… 9th May 2016, Just Like Fire music video was released

The official video for Just Like Fire was directed by Dave Meyers and was released May 9, 2016, ahead of the US premiere of Alice Through the Looking Glass. The video features Pink’s husband Carey Hart and their daughter Willow. In it, Pink is observed swinging on silk ropes hung from the ceiling of a large drawing room by her husband. Her daughter, seated on a nearby fireplace mantle, watches as a blue butterfly flies into a mirror over the fireplace. Willow follows, stepping into the mirror. Shortly after, Pink swings on the ropes and leaps onto the mantle, stepping into the mirror as well. She arrives on a giant chessboard outside a castle. On the chessboard are doubles of Pink dressed as various chess pieces. The doubles circle Pink and the white queen shoves her over. She lands in a chair at a table set up for a tea party suspended in the air. Also seated around the table is the Mad Hatter and Willow. The butterfly from the beginning flies around the table as Pink sings the song’s bridge. Suddenly, she falls out of her chair and is shown falling through the sky, stopping inches off the ground in a rose garden. The Timekeeper from the film gives Willow a watch in the background. Then, Pink begins hallucinating scenes from the film, her in a straightjacket, and scene from earlier in the video. It suddenly cuts to Pink in a straightjacket, being carted away into a sanitarium while her husband signs the release papers with a female doctor.

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On This Day in Pink History 16th April 2006, Pink was on the set of the Who Knew music video

On This Day in Pink History 16th April 2006, Pink was on the set of the Who Knew music video

The Who Knew video was directed by Dragon, a team comprising Sam Bayer, Robert Hales and Brian Lazzaro. It was filmed in April 2006 in Los Angeles, United States, and it was released to the internet and to UK music channels in early May 2006. The video reached number one on MTV Germany’s top ten and on TRL Italy. “Who Knew” was voted number one on TRL Germany twenty times, allowing Pink to earn the “Golden Tape”. In the U.S.

It features a young couple visiting a fairground and going on the rides, and at one point the boy puts a necklace on the girl. The video flashes back to the boy secretly injecting himself with drugs on a previous night while the girl is sleeping. At the carnival, when the girl is playing a game, the boy walks away. The girl realizes he’s gone and follows him, but when she tries to get him to stay with her he gets violent. He goes to the back of the fairground to inject himself with drugs and breaks into a sweat. His girlfriend wanders around looking for him, and finds him unconscious; he has overdosed. She gives him a kiss, gives back the necklace and phones for an ambulance; after it has arrived, she walks away crying. The video is inter-cut with shots of Pink singing the song at the entrance to the fairground.

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20 Years of P!nk – Just Like a Pill

Release History 
10th June 2002

Written by
Pink, Dallas Austin

Album
Missundaztood

Peak Positions 
Austria – 2
France – 29
Germany – 2
Ireland – 2
Netherlands – 6
New Zealand – 2
Sweden – 5
UK – 1
US – 8 

Just like a Pill was written by Pink and Dallas Austin and produced by the latter for the Pink’s second studio album, Missundaztood. The lyrics of the song deal with getting out of painful relationships, with a sub-theme about drug abuse.

The song was released worldwide as the third single from Missundaztood in June 2002 and was a commercial success, peaking at number eight on the Billboard Hot 100 in the United States. It also performed well internationally, becoming her second number-one single in the United Kingdom and reaching the top 10 in, amongst other countries, Ireland, the Netherlands and Sweden.

The song was generally well received by contemporary music critics. NME called it “the third best track off her killer last album”. Drowned In Sound’s Robert Luckett commented that it is “a fascinating record…this is a record with a edge, a kind of pot boiling over at any moment, ready to go off at any time vibe.” He also wrote “it obeys the pop industry’s well-dusted rules for a hit.” Stylus Magazine’s Todd Burns, in his review of the album, compared Just like a Pill to the other singles from the album, Don’t Let Me Get Me and Get the Party Started, writing “The guitars… sound much more integrated into the work and the overall song works far better.”

Music video

The video for Just like a Pill was directed by Francis Lawrence for LaFace Records. The video is considerably different from Pink’s previous videos. Get the Party Started and Don’t Let Me Get Me were lighter in nature than the dark atmosphere which is reflected in the video for Just like a Pill, an example of which is the fact that Pink can be seen throughout the whole video wearing black outfits with naked arms and legs and wearing black hair. Commenting on the different style of video, Pink said: “This one’s very dark and artsy, and I have black hair, which is very fun. I loved it. It’s another part that I haven’t concentrated on before.”

In the first scene, Pink lies on the floor. In the chorus she sings in front of her band. She is also featured in another scene with white rabbits around her in a room, and in another scene, she is seen with an elephant. There are also scenes with Pink singing in front of and amongst various people. In the latter half of the video, she runs in a hall whilst lip-synching the song, before disappearing into a bright doorway atop a staircase at the conclusion of the video.

After the elephant scene Pink decided to stop using animals for her videos. In an interview, she explained: “This poor elephant…a huge elephant, it’s so cute, and I could see how painful it was for it to get down on its hands and knees, … I didn’t like it. I won’t do that again. […] No more animals.”

On This Day in Pink History… 7th February 2006, Stupid Girls was released

On This Day in Pink History… 7th February 2006, Stupid Girls was released

In 2006, Stupid Girls was released as the lead single from Pink’s fourth studio album, I’m Not Dead. The song was written by Pink, Billy Mann, Niklas Olovson and Robin Mortensen Lynch and produced by Billy Mann and MachoPsycho.

The single entered the U.S. Billboard Hot 100 chart at number twenty-four, the week’s highest debut and the highest debut of Pink’s career (later topped by her 2008 single, So What). It climbed to number thirteen, becoming Pink’s eighth top twenty single in the United States and her highest peaking single since “Just Like a Pill” (2002). Its peak on the Top 40 Mainstream airplay chart, however, did not match that of most of her previous singles. “Stupid Girls” remained on the Hot 100 for sixteen weeks, and it reached the top twenty on the Pop 100 and appeared on the Adult Top 40. It received airplay in nightclubs, peaking inside the top twenty on the Hot Dance Club Play chart. “Stupid Girls” was certified Gold by RIAA in February 2008.

The single was a bigger chart hit elsewhere—it reached number two on the Canadian Singles Chart, and on the Australian ARIA Singles Chart, it entered at number four and is certified gold for sales of over 35,000. It was ranked number thirty-ninth on ARIA’s top 100 singles of 2006 list. It also peaked at number four on the UK Singles Chart, becoming Pink’s highest charting single in the UK since “Feel Good Time” (2003). It reached the top ten in most countries in Europe.

“Stupid Girls” was nominated in the category of Best Female Pop Vocal Performance at the 2007 Grammy Awards.

The single was praised by Harry Potter author J. K. Rowling on her official website. She wrote, “‘Stupid Girls’, is the antidote-anthem for everything I had been thinking about women and thinness.” About.com praised the song and highlighted it: “she has rarely been as pointed in her socio-political views as in the hit “Stupid Girls” (…) “Stupid Girls” is musically a dance/hip hop gem.” Allmusic praised her delivery when she’s taunting and teasing this song and it was titled as one of the standouts on album. Entertainment Weekly noted that this song has some verve. The Guardian was less positive noting that her vocals are superficial as the starlets she attacks. LA Times wrote that this song fuses many genres greatly and called it “hilarious feminist romp.” Jon Pareles was favorable: “the pop-reggae of Stupid Girls snidely dismisses the bimbos she sees everywhere, though she apparently has studied their habits closely.” PopMatters was positive: “On “Stupid Girlz”, she rails against the idea that women have to choose between being smart and being sexy, as if the two are mutually exclusive. Pink makes the case that women can be all that and more—”Girls with ambition,” she sings, “That’s what I want to see”. She sounds bewildered and exasperated when she says, in the frequently quoted lines:

What happened to the dream of a girl president? She’s dancing in the video next to 50 Cent They travel in packs of two or three With their itsy bitsy doggies and their teenie weenie tees

What could have easily been a rant turns into an adept social critique. The way she sings it, the problem isn’t 50 Cent’s video, it’s the idea that dancing in the video is the extent of a woman’s aspirations. The bit about the “itsy bitsy doggies” suggests a disdain for elitism and excess that makes you wonder if Gwen Stefani’s “Rich Girl” made Pink see red. It’s got the same playfully articulate vibe as George Clinton’s “Some of My Best Jokes Are Friends”. By the way, for those keeping score, the United States is on its forty-third consecutive male president. Female presidents? Zilch. Female rump shakers in music videos? Countless. Don’t look now, but it seems like Pink’s got a point.” Sal Cinqeman was favorable, too: “As always, Pink’s ragged vocals are better than she’s often given credit for and there’s still a rebel sensibility, at least lyrically, on the catchy lead single “Stupid Girls” (“Where, oh where, have all the smart people gone?” she begs, lambasting “porno paparazzi girls”—which would have made for a more fun title—the way she took aim at Britney two albums ago).” Rolling Stone praised the collaboration with Lilth Fair and added that she takes on ‘stupid girls’ with these lyrics “What happened to the dream of a girl president?/She’s dancing in the video next to 50 Cent.” Feminist website Feminspire were considerably more critical, naming the song in 2014 as one of “the top ten most sexist songs that aren’t rap or hip hop from the last 20 years”. Author Noor Al-Sibai remarked that: “Pink shits on these women who are too stupid to break out of the chains of patriarchy by harshly judging their promiscuity and blaming them for ‘giving in’ to sexist tropes. Because obviously, women are to blame for their sexist objectification.”

Wikipedia

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On This Day in Pink History… 22nd January 2004, God is a DJ music video debuted

On This Day in Pink History… 22nd January 2004, God is a DJ music video debuted

The music video for this song features scenes of Pink and others (assumed to be her roommates) getting dressed, having fun on a subway, and going to a nightclub. Pink then continues to bribe the bouncer (dressed in eccentric drag clothing) to enter the nightclub ahead of the queue.